- 1 Is 120cm softbox too big?
- 2 What does a bigger softbox do?
- 3 What size softbox is best for portraits?
- 4 Which shape softbox is best?
- 5 Are bigger softboxes better?
- 6 What does a deep parabolic softbox do?
- 7 What is a good size softbox?
- 8 Which is better ring light or softbox?
- 9 Can you use a Speedlight with a softbox?
- 10 Which softbox is best for outdoor portraits?
- 11 Does softbox shape matter?
- 12 Can I use just one softbox?
- 13 Do I need a softbox?
Is 120cm softbox too big?
Your 120cm (48″) softbox should be large enough for good soft light, especially for waist up shots of a seated mother with child.
What does a bigger softbox do?
In general, the smaller the light source, the more concentrated and harsher the light will be, and the larger the light source the softer the light is. Larger softboxes work well for portraiture photography or large areas as they produce softer lighting with more gradual transitions between light and shadow.
What size softbox is best for portraits?
Large softboxes (say, 48-inches and larger) are ideal for group shots and full-body portraits. For example, the 12×56-inch rectangular softbox shown above is available for about $115.00 and would be an ideal choice for a full-body portrait, particularly if the model is lying down.
Which shape softbox is best?
Rectangular: The most versatile softbox shape. It has wide application in product photography and portrait photography. These softboxes were designed to mimic window light, specifically.
Are bigger softboxes better?
The bigger the light source (relative to the subject) the softer the light produced. In other words bigger softboxes give softer light and as long as your softbox is close to your subject that holds true. With the small and medium sized softboxes you’ll see a sharper, harder edge to the shadow then the big softbox.
What does a deep parabolic softbox do?
For the uninitiated, a softbox’s purpose is generally to diffuse the light into an even, soft spread, rather than the direct and harsh results of undiffused lights. Conversely, parabolic umbrellas focus the light into a strong column.
What is a good size softbox?
As a rule of thumb, the size of a softbox should be approximately the same size as your subject; meaning a head shot or half shot could require softboxes in the range of about 18 to 24″, whereas full-body shots could require multiple softboxes in the 48″ or larger range.
Which is better ring light or softbox?
A ring light is a bit more direct, while the softbox will spread throughout the space more. The main difference is the shape. The box light is much more versatile and, other than in certain circumstances, is always preferred in a cinematic setting over the ring shape.
Can you use a Speedlight with a softbox?
Yes, you absolutely can, though not all softboxes are made for Speedlights. The key lies in finding a softbox which comes with a mount that is compatible with Speedlights.
Which softbox is best for outdoor portraits?
8 Best Speedlight Softboxes
- Best Overall: Fotodiox F60.
- Best for Outdoors: Neewer 24” x 24” Bowens Mount.
- Best for Studio: GODOX Softbox with S Type Bracket.
- Best for Portraits: Neewer 32″ Octagonal Softbox.
- Best On-Flash: Flash Diffuser Light Softbox 6” x 5” by Altura Photo.
Does softbox shape matter?
A soft box is usually rectangular, but it can be any shape; in fact, the shape of your light bank/ soft box (same thing, really) can make a big difference in shaping the quality of your portrait photography lighting. Umbrellas usually have 16-ribs, so light quality is not quite the same as an octagonal softbox.
Can I use just one softbox?
With one softbox, you can light your product and create a background at the same time. You need: a big, shiny surface (Corbell uses a black plexiglass table)
Do I need a softbox?
The answer is adaptability. There’s nothing like a softbox when it comes to providing soft light for any style of shooting. Fashion, food, product, portraiture, you name it. Even when they aren’t used as the key light source, softboxes play an important role for fill, separation and edge lighting.